There is no question about it any more. What has been long suspected, or deduced from observational studies, has now been amply explained and proven by modern genetics.
All life on earth evolved according to one principle: rewarded random variation. The constant random mutations of genes inside all cells are responsible for the emergence of ever new forms of life, and the survival of the fittest assures the rest.
It is estimated, that genus homo sapiens is about 8000 generations old. However, only four generations ago ( about 100 years), the average life expectancy, even in Europe, was still equal to that of hunters gatherers. It has been argued, that since the average pre -adolescent mortality among the humans has virtually collapsed during the last four generations, our evolution has now probably reached a standstill.
This however, does not stop people from exhibiting original traits and behaviour. The diversity of people, is one of aspects, which attract me to street photography.
Cote d’Azur has many visual landmarks. My favourites are the palm trees, perhaps because they always evoke in me the association with something exotic, as I grew up in the north of Europe, where pines and oaks are the staples.
I have come to appreciate their visual impact after looking at photographs of Mark Surloff, whose Miami landscapes are often filled with these characteristic silhouettes.
Have you ever wished, you could know, what’s going on in other people’s minds ? Science is already going in that direction. I have seen some rudimentary images, translating what we see, into graphics, on basis of brain wave imaging alone. Soon, they say, it will be possible to record your dreams on a video.
Meantime, every now and then I manage to catch some insight about what others think about, on basis of their facial expressions.
I tend to work long hours every day, but when I walk in the morning along the sea to my office , I find partial compensation in being able to observe scenes like that very often. On average, there are 303 sunny days a year in Monte Carlo.
Many photographers try to work on an idea of an image through multiple takes. This is most often seen in landscape photographs, where an identical scene and framing can bring completely different effects depending on the light, time of year and atmospheric conditions.
Sometimes, the use of a different focal length can be beneficial. Here is a photograph I have retaken at a distance of a couple of weeks. Both photos are shot on 35mm camera. The first one with a 50mm lens:
The second one, with a 85mm lens:
At times, it is difficult to decide, which one works better.
It is much easier to catch people unaware, when they are so intensely focused on what they are doing, that they simply don’t see the photographer snapping away at them.
A quiet shutter helps.
On my weekly strolls in Nice, I usually stop by for lunch in this little and cozy place called “Les Causeries de Blandine” ( Blandine’s chatters). You will find there a familiar atmosphere, art on the walls, some illustrated albums to flip through, and a great selection of salads, quiches and home made cakes.
Social psychologists study the language of human bodies. They want to understand our non verbal ways of communicating, and how we can take advantage of understanding the impact of our psyche on our bodies, and vice versa.
I remain fascinated by what is going on in the minds of other people, by how they translate their unique beings into expressions of living form. This is a never ending source of photographic inspiration.
The nearing of the Christmas season on Cote d’Azur, is mainly perceptible, through the sudden appearance of decorations and little lamps in the streets. It usually adds a slightly surreal touch to the environment, because December tends to be a month without much rain, and the temperatures are still very enjoyable.People happily continue to eat out in the sidewalk restaurants, seated in their t shirts, and some more courageous even continue to bath regularly in the sea.
I often catch myself taking photographs, which I should not really take. There must be some contorted circuit in my brain, which tells me: See? Isn’t it interesting? – or – This should not be there! Photograph it !
In most cases the result is not that great.
I believe, the reason is, that it is the rational part of the brain that “orders” me to photograph, not the intuitive, poetic side, which is sensitive to forms and emotions and capable of that “mindless” perception typical of the creative process.